| 1. | Contrapunctus 1. Main subject |
| 2. | Contrapunctus 2. Inversion of subject |
| 3. | Contrapunctus 3. Rhythmic variation of subject |
| 4. | Contrapunctus 4. Inversion of rhythmic variation |
| 5. | Canon alla Ottava |
| 6. | Contrapunctus 5. Fugue by inversion, subject in equal note values |
| 7. | Contrapunctus 6. Fugue by inversion in 4 parts "in Stylo Francese"; subject in 2 different note-val |
| 8. | Contrapunctus 7 |
| 9. | Canon alla Decima, Contrapunto alla Terza |
| 10. | Contrapunctus 8. Mirror fugue in 4 parts: a. "Rectus", variation of main subject |
| 11. | Contrapunctus 8. Mirror fugue in 4 parts: b. "Inversus", variation of main subject |
| 12. | Contrapunctus 9. Mirror fugue in 3 parts. a. "Rectus", variation of main subject |
| 13. | Contrapunctus 9. Mirror fugue in 3 parts. b. "Inversus", variation of main subject |
| 14. | Contrapunctus 10. Double fugue in 4 parts. "Alla Duodecima". On a new subject and the main subject |
| 15. | Contrapunctus 11. Double fugue in 4 parts. "Alla Decima". On a new subject and a variation of the m |
| 16. | Canon alla Duodecima in Contrapunto alla Quinta |
| 17. | Contrapunctus 12. Triple fugue in 3 parts. On a variation of the main subject and 2 new subjects |
| 18. | Contrapunctus 13. Triple fugue in 4 parts. On a variation of the main subject and 2 new subjects |
| 19. | Canon per Augmentationem in Contrario Motu |
| 20. | Contrapunctus 14. Quadruple fugue - "Fuga a 3 soggetti" - On the main subject and 3 new subjects (U |